Starring :ย Mohanlal, Kallirroi Tziafeta ,Guru Somasundaram, Shayla McCaffrey, Ignacio Mateos, Padmavati Rao Caesar, Raphael Amargo, Prashant Nair, Komal Sharma, Tuhin Menon, Maya, and others
Director :ย Mohanlal
Producer :ย Antony Perumbavoor
Music Directors :Lydian Nadhaswaram
Cinematographer :ย Santosh Sivan
Editor:ย B Ajith Kumar
Barroz 3D, the most recent behemoth from Malayalam stalwart Mohanlal, is his directorial debut. Several glimpses of the grand visual spectacle that this adventurous fantasy drama has in store for fans were provided by the theatrical trailer of the pan-India film. This morning, Barroz 3D was released in cinemas worldwide as a Christmas pleasure. To determine whether the film has fulfilled the anticipated level of quality, consult our review.
Narrative:
The narrative of Barroz 3D is set in 1663. Barroz (Mohanlal) is a devoted lieutenant of the sovereign Da Gama monarchs, who migrated from Portugal to India. Barroz serves as the treasure’s guardian for the King of Da Gama (Ignacio Mateos). What is the outcome of this exercise for Barroz? How is it possible for him to remain in that palace as a spirit for 400 years? Who attempted to take the treasure? Will Barroz ever receive salvation? What is the function of a child named Isabella (Shayla McCaffrey) in this narrative? In order to comprehend the remainder of the narrative, it is necessary to view Barroz 3D on a large screen.
Advantages:
Barroz 3D is unquestionably one of the more impressive fantasy films to have been released in theatres in recent years. The narrative of the film is reminiscent of Chandamama. Some of the visuals and narrative in Barroz 3D may be appreciated by those who love such fantasy films. Additionally, you will comprehend the rationale behind the exclusive release of this film in 3D upon viewing it on a large screen.
Mohanlal, who is assuming the director’s role for the first time, demonstrates his visual prowess in the realm of 3D effects. Additionally, his performance is commendable. He provides a comprehensive entertainment experience as both a loyal lieutenant and a spectre. Esha, a young artist, has also demonstrated exceptional talent. The emotive exchanges between Esha and Barroz have been executed effectively.
Additionally, the film is abundant in technical aspects. The audience will be captivated by the exceptional cinematography and backdrop soundtrack of renowned cinematographer Santosh Sivan. The story has been effectively advanced by all of the English actors who have portrayed significant roles.
Negative Points:
Despite its exceptional technical standards, Barroz 3D fails to captivate the audience with its unremarkable narrative. The film devolves into a routine viewing experience after an intriguing beginning, as it rapidly loses its lustre and induces a sense of dรฉjร vu.
Fantasy films that are adventurous, such as Barroz 3D, are produced infrequently. Fans continue to be entertained by Siddharth’s Aangana O Dheerudu, which was released nearly 15 years ago. However, Barroz 3D subjects a portion of the audience to a test of patience. The narrative becomes excessively repetitive and convoluted.
Mohanlal ought to have prioritised the development of an engaging narrative. Barroz 3D would have been an even more captivating viewing experience if it had featured a more intricate treasure concept, thrilling mythological elements, and a tense storyline. The absence of thrilling elements or twists serves as yet another drawback, and the majority of the film operates on a dull note, which further compounds the issues.
Technical Aspects:
Barroz 3D is technically quite robust, as previously mentioned. The producers invest every rupee they spend in the creation of magnificent visuals that are essential for a fantasy film. This high-budget film also features outstanding production design, audio, and cinematography. The 3D effects are particularly exceptional. Conversely, there are sequences in which the visual effects are inadequate. On the editing table, certain sequences ought to have been pruned.
Mohanlal, the director, appears to have intended to create a mythological film that would appeal to both children and the current generation. Nevertheless, it would have been more effective if he had developed a more captivating narrative with a variety of enticing elements to enhance the film’s appeal. Mohanlal’s grand vision is technically captivating. Nevertheless, it would have been beneficial for him to focus on the emotive quotient and screenplay. He was able to extract exceptional performances from the actors. Despite everything, there is a persistent sense that something is awry.
Conclusion:
Technically, Barroz 3D appears to be of high quality. The visuals are breathtaking in 3D. And while individuals who enjoy adventurous fantasy stories may find Barroz 3D to be an acceptable viewing experience, the majority of the audience may find it challenging to endure. The narrative is largely feeling elongated. The sole significant saving grace is the extraordinary 3D effects. While some individuals may choose to forgo the film, it is exclusively intended for minors and Mohanlal enthusiasts.