Starring :ย Dharma, Aishwarya Sharma, Posani Krishnamurali, Srikanth Iyengar, Sameer, Badram, SS Kanchi, Kirak Seetha, Ritu Chowdary, Funbucket Rajesh, Raja Prajwal, and others
Director :ย Kiran Tirumalasetti
Producers :ย Basavaraju Srinivas, Ismail shaik & Basavaraju laharidhar
Music Director :ย Sri Vasanth
Cinematographer :ย Prasanth Ankireddy
Editor:ย Marthand K. Venkatesh`
The most recent Tollywood film to be released in cinemas today is titled “Drinker Sai,” and it stars Dharma and Aishwarya Sharma as the film’s major characters. “Brand of Bad Boys” is an intriguing slogan that is associated with the title. Check out our review to find out whether or not the film directed by Kiran Tirumalasetti has been successful in capturing the attention of the audience.
Story:
Dharma, also known as Drinker Sai, is an unemployed alcoholic. His parents have passed away, but he has assets worth crores of rupees. On the other side, Bhagi, played by Aishwarya Sharma, is a girl who is well-mannered, well-disciplined, and who takes naturopathy as her religion without question. Sai chases Bhagi and is ultimately successful in gaining her affection. What exactly is the nature of the love story that Sai and Bhagi have? Does Bhagi really feel affection for Drinker Sai? The arrival of Bhagi will bring about a change in Sai’s life. In order to learn the remainder of the plot, you need watch the movie on a television screen.
Points in Favor:
In spite of the fact that Drinker Sai is packed with romantic aspects and daring components, it also has feelings that are satisfactory. Particularly enjoyable are the parts that depict Sai and Bhagi’s passionate affection for one another. In addition, the interval sequence is not a terrible one. Dharma’s depiction of the Drinker Sai character, the moments that highlight his drinking issue, the people who orbit around Sai, and the humor that is created by those characters are all of a satisfactory quality. A number of romantic situations and the whole idea of Drinker Sai are really impressive.
During the course of Drinker Sai, Dharma, who portrayed the role of the protagonist, successfully modified his appearance and body to fit the character. One further thing that works in his favor is his genuine performance. The heroine, Aishwarya Sharma, also delivers a commendable performance in this instance. The supporting performers have all performed their parts to the best of their abilities.
Points Taken Away:
The script for “Drinker Sai” is ponderous and, at times, fails to interest the viewer in the story. In addition to this, the primary conflict was not very spectacular, and even the primary characters did not have the appropriate connections with one another. The progression of Dharma’s character is not coherent. I am curious as to whether or not the current generation will be interested in seeing love tales that are so highly emotional. Additionally, there was a lack of freshness in the information.
Despite the fact that director Kiran Tirumalasetti leaves an impression with his skillful management of some situations, he need to have exercised sufficient caution in the scenes that ran on a plot that was uninteresting, especially in the second half of the film. Furthermore, the narrative is lacking in direction as a result of a few sequences that are not essential. This emotionally charged love tale does include a few comedic parts and themes of love, but it does not have any substance that is intriguing or arresting enough to keep the viewer interested throughout the whole narrative.
Aspects Relating to Technology:
In spite of the fact that the picture has a respectable amount of emotional content, the narrative framework of the plot is not very intriguing, as was indicated previously. All of Sri Vasanth’s songs, which he created as the music director, are satisfactory. With his natural cinematography, Prashanth Ankireddy creates a visually appealing atmosphere in each and every one of the locales. A satisfactory level of editing was performed by senior editor Marthanda K. Venkatesh. It is to the credit of the producers Basavaraju Srinivas, Ismail Sheikh, and Basavaraju Laharidhar that their production qualities are satisfactory.
Conclusion:
Drinker Sai is a very moving love story that also has comedic elements and a considerable amount of emotional depth. On the other hand, the most significant shortcomings of the film are the sluggish pace and the absence of any fascinating aspects in the second half of the film. Later on, it is possible that the youthful audience may only connect with a handful of the daring romantic sequences that the movie has to offer.